集体

导演：亚历山大·讷讷乌 

主演：Razvan,Lutac,Mirela,Neag,Camelia,Roiu,Catalin,Tolontan,Tedy,Ursuleanu,Vlad,Voiculescu

类型：纪录片地区：罗马尼亚 卢森堡 德国年份：2019

简介：导演亚历山大·纳诺(Alexander Nanau)跟随罗马尼亚报纸Gazeta Sporturilor的一个精锐调查小组，试图揭露一起巨大的医疗欺诈行为，这些欺诈行为让大亨和政客致富，并导致无辜公民死亡。……

别在飞机上看书

导演：Stuart,McBratney 

主演：索菲·德马雷,Victor,von,Schirach,Susanna,Dekker,Dominique,Thomas,多罗西娅·佩特尔,希尔德加德·斯罗德,Oana,Mosneagu,Cassie,Osborne,Karim,Theilgaard,Nicolas,Bravos,Julia,Strowski,Saverio,Fabbri,Ana,Pasti,Manos,Cizek,Brenton,Prince,迈克尔·加布里埃尔,达丽娅·皮萨列娃,朱斯特·伦德尔斯

类型：剧情片地区：澳大利亚,罗马尼亚,法国,德国,希腊,匈年份：2020

简介：

《不要在飞机上读这本书》是一部剧情喜剧，讲述一位小说家在她的出版商破产后搭便车穿越欧洲完成她的图书巡回之旅的故事。

荣耀六十年

导演：Herbert,Wilcox 

主演：Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla

类型：剧情片地区：英国年份：1938

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor……

一场大火之后

导演：亚历山大·讷讷乌 

主演：Razvan,Lutac,Mirela,Neag,Camelia,Roiu,Catalin,Tolontan,Tedy,Ursuleanu,Vlad,Voiculescu

类型：纪录片地区：罗马尼亚年份：2019

简介：导演亚历山大·纳诺(Alexander Nanau)跟随罗马尼亚报纸Gazeta Sporturilor的一个精锐调查小组，试图揭露一起巨大的医疗欺诈行为，这些欺诈行为让大亨和政客致富，并导致无辜公民死亡。……

荣耀六十年1938

导演：Herbert,Wilcox 

主演：Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla

类型：剧情片地区：英国年份：1938

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor……